Studio of Fermin Fleites · Miami
Sculpture does not need a pedestal to remain sculpture. Objects conceived as sculpture, where function, when present, emerges from form.
01 · In the artist’s words
Fermin Fleites · Miami
“
The wood keeps the forest’s memory; my job is to give it human rhythm.
Nothing pretends to be what it is not.
Pieces conceived to be lived with and, in time, passed down.
Fermin FleitesVisual artist, Miami
02 · Material and process
Form emerges from that encounter.
Materials whose nature remains visible.
01
Mainly solid wood, including cedar and American mahogany, worked as a solid mass and, when the piece allows it, carved from a single board or a single log.
02
In ceramics, local clays and blends developed with pigments.
03
Iron and stainless steel, welded by hand when the piece requires it.
04
Also stone and bronze.
03 · Utilitarian sculptures
A sculpted object is a piece conceived first as sculpture that, in certain cases, also serves a practical function. When there is a function, it emerges from the form, not the other way around.
That is why a Sculptera piece must have presence before it serves any other purpose. It is not conceived to disappear into a room, but to become part of its identity.
Closed
Open: the front door pivots
Solid cedar
Sculptural and architectural.
Steel inlays
Stainless steel set into the cedar.
Pivoting door
The front turns to open the shelves.
Made in Miami
Studio of Fermin Fleites.
Selected works
Continuum table · Mahogany dining table · Cedar bar cabinet · Iron bar stool · Sculptural dining table
04 · Artwork in context
Sculptera / Rendered interiors
The pieces in place
Each room is a rendered interior into which the real piece was placed.
01
The lamp
Rendered interior. The piece itself is a real sculpture.
02
The table
Rendered interior. The piece itself is a real sculpture.
03
The sideboard
A sideboard in solid American mahogany, with natural fiber accents and discreet hidden drawers.
Art you live with
Rendered interior · Sculpted floor lamp
05 · Selected works
Sculptera / The collection
The collection
Pieces conceived to be lived with and, in time, passed down. Each work is conceived to have presence: not as decoration added to a space as an afterthought, but as one of the elements capable of defining it.
06 · The Continuum table
Sculptera · Plate list
Continuum table · Cedar
A unique creation, shaped with time, care, and a forgotten craftsmanship.
Cedar has always stood for nobility, strength, and that unmistakable scent of permanence.
Six views
Of the Continuum table in cedar
#Fig.View
01
Three-quarter view
A glossy tabletop on a carved sculptural base
→
02
Side view
A long, thin-edged tabletop on a carved pedestal
→
03
Side view, slight angle
The pedestal opening and the cross-shaped feet
→
04
Pedestal detail
The carved pedestal and its oval opening
→
05
End view
Tabletop edge above the carved pedestal and feet
→
06
Tabletop from the end
Across the glossy top, cross-shaped feet below
→
+ Photographs of the piece.
Total · views
06
Sculptera · Continuum table · 6 views
Fig. 01 · Three-quarter view
Material
Cedar
Studio
Miami
The Continuum table
01 / 05
Cedar
Solid wood
Studio, Miami
Every piece is made for one room and one owner.
07 · Questions
Plain answers about how the pieces are conceived, made and commissioned.
Sculptera creates sculptural pieces for homeowners who refuse to live in a cookie-cutter home. Each object is crafted in wood or sculptural ceramic, taking the form of a functional sculpture designed for a specific space, a personal story, and an owner who wants something no one else has. What defines each work is not only the material but the human gesture that creates it, the controlled force applied to wood or clay. The piece keeps its wild memory, yet it moves with a distinctly human rhythm. This tension between the untamed and the handmade is what gives Sculptera’s work its unmistakable power: art that endures as a definitive gesture, art that commands attention, art that turns a room into a singular space.
Because direct contact with the material is an essential part of the creative process.
Choosing a piece of wood or a clay; reading the grain; recognizing a weight, a resistance, or an imperfection; removing material with a cutting tool; deciding where a joint appears or how much of the surface should remain visible: none of these decisions is secondary. In this way, Sculptera reclaims crafts such as cabinetmaking, carving, and ceramics, not as nostalgia, but as tools of a contemporary sculptural practice.
From a personal perspective, and from direct contact with the material that will support it.
The grain of the wood, its weight and its imperfections; the plasticity of a clay and its behavior during firing; the strength of a metal or the density of a stone all play a part in the decisions about form. A curve, a joint, a void, or a volume is not arbitrarily imposed on the material. Artistic intention sets a direction. The material sets the conditions. The piece emerges in the tension between the two.
Materials whose nature remains visible.
Mainly solid wood, including cedar and American mahogany, worked as a solid mass and, when the piece allows it, carved from a single board or a single log. In ceramics, local clays and blends developed with pigments. Iron and stainless steel, welded by hand when the piece requires it. Also stone and bronze.
The finishes do not seek to disguise the material, but to reveal its qualities. Nothing pretends to be what it is not.
For those who understand that an object can transform the character of a space.
Sculptera works directly with collectors and homeowners, as well as with architects and interior designers looking to bring pieces with an identity of their own into their projects. Each work is conceived to have presence: not as decoration added to a space as an afterthought, but as one of the elements capable of defining it. Many pieces can be developed for a specific site, responding to its scale, architecture, and context. They are objects made to be lived with, to take on the marks of time, and to endure.
The pieces are conceived and sculpted by Fermin Fleites, a visual artist based in Miami. Sculptera was born as an extension of his artistic practice: the place where sculpture meets the object and, at times, function.
The same hands, the same exploration of form, and the same respect for the material, applied to pieces created to live alongside us.
More about his work, sculptures, and drawings at ferminfleites.com.
08 · Private inquiries
Tell me the space, the wood you have in mind, and your timeline.
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